Previously described as “post-pop indie with a dark electronic underbelly”, Atlum Schema proves to be just that; an irresistible blend of the best parts of both indie and electronica. This self-titled album is cohesive in its song choices, each a different snapshot of the same musical journey; diverse, yet with a strong prevalent theme running through each song. Southampton’s Andy Mort and crew play with intricate counter melodies/ harmonies, military-like beats and electronic effects, whilst still paying homage to the beautiful sounds of the electronic piano. Andy’s lyrics are pensive and poetic, lending weight to the album as more than just pretty music. Each track seems to build up throughout the song with climactic middle eights or bridges, lending an ‘anthem’ status to some. The first song on the album, ‘Closing The Doors’, sets the tone with its tribal-like beats, dreamy harmonised vocals and poignant use of chimes, culminating in an almost melancholic statement “all we are is fading out now”. ‘Hold On’ cleverly integrates clips of Ronald Reagan’s “Tear Down This Wall” speech and Mort’s vocals in the chorus almost remind me of Brandon Boyd (Incubus) in the song ‘Megalomaniac’. ‘The Ballad Of The Self-Blessed, Self-Less’ and ‘Feeling About For Conformity In The Dark’ are both lyrically graceful, the former piano-driven and reminiscent of Coldplay’s ‘Fix You’, whilst the latter is acoustic guitar led and haunting. 

‘Gunfight…’ is very catchy and lyrically sound with its marching rhythm that marries in the military theme of its title. The electric piano solo is a delight to hear in this song, so be sure to look out for it! ‘Breathe’ is a more laid-back song containing evocative doubled vocals and an aptly incorporated cello. It also contains probably the best line in the whole album, an inspirational “don’t blame the sun it never fails, it’s just cloud that comes and veils”. The final song ‘Opening The Doors’ is a hopeful response to the first song and a good conclusion to the album.

All in all, Atlum Schema has done well with a reflective album, not one for finding infectious pop-inspired tunes but rather something more thoughtful and best enjoyed during something unexpectedly inspirational like a walk in the rain.